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(4)
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America
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animals
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(3)
art
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Arvo Pärt
(1)
Asger Jorn
(1)
Asia Argento
(1)
assemblages
(4)
audience
(3)
autobiography
(3)
Avanti
(1)
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(1)
Bela Tarr
(1)
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(1)
Berlin Alexanderplatz
(1)
Bertolt Brecht
(1)
Bertrand Blier
(1)
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(1)
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(3)
Billy Woodberry
(1)
black and white
(2)
Bob Dylan
(1)
bodies
(12)
boxing
(1)
Brian De Palma
(4)
Bruce Springsteen
(1)
brutality
(2)
Budd Schulberg
(1)
business
(1)
butoh
(2)
camera movement
(3)
Caravaggio
(1)
Carl Theodor Dreyer
(3)
Carlo Crivelli
(1)
cars
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Catherine Breillat
(1)
celluloid
(1)
censorship
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Chantal Akerman
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character
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Charles Bronson
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Charles Burnett
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children
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Cinemascope
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cinematography
(7)
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cities
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Claire Denis
(6)
class
(4)
classicism
(1)
Claude Chabrol
(4)
Clint Eastwood
(2)
color
(8)
comedy
(3)
composition
(6)
consumerism
(1)
contemporary cinema
(15)
costuming
(2)
court
(2)
crime
(2)
culture gap
(2)
D.W. Griffith
(3)
Damien Chazelle
(1)
dance
(3)
Danny Boyle
(1)
Dante Spinotti
(1)
darkness
(1)
David Cronenberg
(1)
David Fincher
(1)
David Goodis
(1)
David Lynch
(1)
David Mackenzie
(2)
death
(6)
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(1)
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(1)
dialogue
(1)
directing
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Directions
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disaster films
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dissolve
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distance
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Dito Montiel
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drama
(1)
DVD
(3)
Dwayne "The Rock" Johnson
(1)
Dyana Gaye
(1)
economics
(1)
editing
(7)
Edouard Vuillard
(1)
Edvard Munch
(1)
Edward L. Cahn
(1)
Elaine May
(1)
Ellie Lumme
(5)
Emile Durkheim
(1)
Emir Kusturica
(1)
Emmanuelle Seigner
(1)
empiricism
(1)
epic
(1)
Eric Gautier
(1)
Eric Rohmer
(4)
Errol Morris
(1)
escapism
(1)
ethics
(1)
Eugène Green
(3)
evidence
(2)
evil
(2)
exploitation
(1)
expressionism
(2)
eyes
(1)
faces
(11)
fear
(1)
Fela Kuti
(1)
Fernando Eimbcke
(1)
figures
(2)
film education
(1)
film noir
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film production
(8)
filmgoing
(1)
framing
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France
(3)
Francis Ford Coppola
(1)
Francois Truffaut
(3)
Frank Auerbach
(2)
Frank Borzage
(1)
Frederick Wiseman
(1)
Fritz Lang
(3)
games
(1)
generation gap
(2)
genre
(1)
George Cukor
(3)
George Luks
(1)
George P. Cosmatos
(1)
George Romero
(1)
Girogio Moroder
(1)
government
(1)
Gregory La Cava
(1)
Grisha Dabat
(1)
group dynamics
(1)
guilt
(1)
guiltlessness
(1)
Gustav Deutsch
(1)
Gustave Courbet
(1)
hair
(1)
Hal Hartley
(2)
Han Hyeong-mo
(1)
hands
(9)
Helmut Käutner
(1)
Henri Calef
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Henri-Georges Clouzot
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hero
(1)
history
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Hong Kong
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Hong Sang-Soo
(3)
horror
(2)
Hou Hsiao-Hsien
(2)
Howard Franklin
(1)
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(2)
Howard Hughes
(1)
Hubert Sumlin
(1)
humanism
(2)
Humphrey Bogart
(1)
identity
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(2)
image
(13)
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(2)
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(1)
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(1)
Ingmar Bergman
(1)
Internet
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(4)
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(1)
Iran
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Iraq
(1)
Isaac Florentine
(1)
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(1)
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(1)
Jack Webb
(1)
Jackie Chan
(1)
Jacques Becker
(1)
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(1)
Jacques Rivette
(2)
Jacques Rozier
(1)
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James Gray
(2)
James Joyce
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James Lee
(2)
Jamie Gillis
(2)
Jane Campion
(2)
Japan
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Jaroslav Kucera
(1)
Jason Statham
(2)
Jean Fautrier
(5)
Jean Renoir
(4)
Jean-Claude Brisseau
(2)
Jean-Claude Van Damme
(6)
Jean-Jacques Beineix
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Jean-Luc Godard
(5)
Jean-Marie Straub
(1)
Jean-Marie Straub and Daniele Huillet
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(3)
Jean-Pierre Jeunet
(1)
Jean-Pierre Limosin
(4)
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(2)
Jean-Simeon Chardin
(1)
Jean-Yves Escoffier
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Jens Lekman
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Jerry Lewis
(3)
Jerzy Radziwilowicz
(2)
Jesse Eisenberg
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(2)
Jin Xie
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Joe Carnahan
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Joe Dante
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John Cale
(1)
John Carpenter
(4)
John Carpetner
(1)
John Cassavetes
(1)
John Constable
(1)
John Ford
(4)
John McTiernan
(2)
John Milius
(1)
John Sayles
(1)
John Woo
(1)
Johnnie To
(6)
Jonathan Glazer
(1)
Jonathan Rosenbaum
(1)
Josef von Sternberg
(1)
journalism
(2)
Justin Rice
(1)
Kathryn Bigelow
(2)
Kenji Mizoguchi
(1)
Kenneth Anger
(1)
King Vidor
(1)
Krzysztof Zanussi
(1)
language
(1)
Larisa Shepitko
(1)
Lars von Trier
(3)
Laurence Fishburne
(1)
Lav Diaz
(1)
law
(1)
Lee Chang-dong
(1)
Lee Isaac Chung
(1)
Lee Jeong-beom
(1)
Lee Kang-Cheon
(1)
Len Wiseman
(1)
Leon Kossoff
(1)
Leos Carax
(2)
Leoš Janáček
(1)
lighting
(1)
Lina Scheynius
(2)
literature
(3)
Liu Jayin
(1)
location
(3)
Louis Delluc
(1)
Louis Feuillade
(1)
love
(4)
Lovis Corinth
(1)
Luc Besson
(1)
Luchino Visconti
(1)
Lucien Freud
(2)
Lucrecia Martel
(1)
Ludwig van Beethoven
(1)
Luigi Comencini
(2)
M. Night Shyamalan
(1)
mainstream films
(3)
make-up
(2)
Marc Chagall
(1)
Marcel Carné
(1)
Marco Bellocchio
(1)
margin notes
(1)
Marie-Claude Treilhou
(1)
Mark Robson
(1)
Marlene Dumas
(2)
Martin Scorsese
(2)
Matías Piñeiro
(1)
Matt Smith
(1)
Maurice Pialat
(1)
Max Ophüls
(2)
meaning
(1)
Mel Gibson
(1)
men
(1)
Michael Ballhaus
(1)
Michael Bay
(2)
Michael Cimino
(1)
Michael Haneke
(2)
Michael Hui
(1)
Michael Jackson
(1)
Michael Mann
(7)
Michael Wesely
(2)
Michel Piccoli
(1)
Michel Soutter
(1)
Michelangelo Antonioni
(1)
Milton Resnick
(1)
mirrors
(1)
mise-en-abyme
(4)
mise-en-scene
(8)
Monsieur Verdoux
(1)
Monte Hellman
(1)
morality
(4)
movement
(11)
MP and GI
(1)
mumblecore
(1)
mythology
(1)
Na Hong-Jin
(1)
Nagisa Oshima
(1)
Naoko Ogigami
(1)
Naoya Hatakeyama
(1)
nature
(3)
neorealism
(1)
Neveldine / Taylor
(1)
Nicholas Brooks
(1)
Nicholas Ray
(4)
night
(1)
Nikolai Khomeriki
(1)
Nilo Rodis-Jamero
(1)
Nimrod Antal
(2)
Nimród Antal
(1)
Norman Taurog
(1)
objects
(1)
Oleg Tourjansky
(1)
Olivier Assayas
(4)
ontology
(1)
Orson Welles
(1)
Otto Preminger
(2)
Ousmane Sembene
(1)
painting
(7)
paranoia
(1)
Park Chan-wook
(1)
Patrick Keiller
(1)
Patrick Tatopoulos
(1)
Paul Verhoeven
(4)
Paul W.S. Anderson
(1)
Paul Wendkos
(1)
Pedro Costa
(1)
performance
(10)
perspective
(1)
Peter Ablinger
(1)
Peter Berg
(1)
Peter Greenaway
(1)
Peter Nestler
(1)
Philippe Garrel
(1)
phones
(2)
photography
(7)
Pierre Morel
(1)
plan
(2)
poetry
(1)
police
(1)
politics
(6)
pop music
(5)
pornography
(2)
post-nationalism
(2)
Prince
(1)
process
(3)
Projects
(2)
Quentin Tarantino
(4)
Rabah Ameur-Zaïmeche
(1)
Rainer Werner Fassbinder
(2)
Ramin Bahrani
(1)
Raoul Coutard
(2)
Raoul Ruiz
(1)
Raoul Walsh
(3)
realism
(1)
recent observations
(11)
reductionism
(2)
reflections
(2)
relation
(1)
Rene Clair
(1)
Renny Harlin
(1)
revision
(1)
Richard A. Shweder
(1)
Richard Fleischer
(1)
Richard Kwietniowski
(1)
Richard Lester
(1)
Richard Linklater
(2)
Richard Quine
(1)
Richard Wagner
(1)
Ricky D'Ambrose
(1)
Ringo Lam
(1)
Robert Aldrich
(1)
Robert Bresson
(2)
Robert Motherwell
(1)
Robert Siodmak
(1)
Roland Emmerich
(1)
Roman Polanski
(3)
Roza Rymbaeva
(1)
Russia
(3)
Russian Notebook
(2)
Ryan McGinley
(2)
Sam Peckinpah
(1)
Samuel Fuller
(2)
satire
(1)
Saul Bass
(1)
Scott Adkins
(1)
screenwriting
(1)
secrets
(1)
Serge Daney
(2)
set design
(3)
sexuality
(1)
Shinsuke Sato
(1)
Sidney Lumet
(1)
silent film
(4)
Sion Sono
(1)
society
(1)
Sōgo Ishii
(1)
solitude
(1)
sound
(15)
Soviet Union
(2)
space
(3)
Spread
(1)
Stephen Shore
(1)
Steve McQueen
(1)
Steven Soderbergh
(2)
stock footage
(2)
subtitles / intertitles /credits
(6)
supercoherence
(3)
suspense
(1)
swimming pool
(3)
Sylvester Stallone
(4)
Taiwan
(1)
Takashi Miike
(3)
Takeshi Kitano
(1)
taste
(1)
technology
(3)
television
(10)
tennis
(1)
Terence Davies
(1)
Terry Crews
(2)
Terry Gilliam
(1)
The Bible
(1)
theatre
(2)
Theodor Sparkuhl
(1)
time
(2)
Tom Tykwer
(1)
Tony Scott
(3)
Tony Stone
(1)
trains
(1)
Tsai Ming-Liang
(1)
Tsui Hark
(1)
Tyler Perry
(1)
video
(2)
violence
(4)
voice
(4)
Vojtech Jasný
(1)
Wachowski Brothers
(1)
Wai Ka-Fai
(1)
Walter Hill
(4)
Wang Bing
(1)
war
(3)
weeks chart
(2)
Wes Anderson
(2)
Western
(2)
Wild at Heart
(1)
Will Smith
(1)
William Eggleston
(1)
William Lubtchansky
(1)
Willie Dixon
(1)
Wong Kar Wai
(1)
Woody Allen
(1)
Xavier Beauvois
(1)
Yahoo Serious
(1)
Yasujiro Ozu
(1)
Yiorgos Karahalis
(1)
YouTube video
(2)
Yu Lik-Wai
(1)
Yuzo Kawashima
(1)
zoom lens
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