The only true visual gag in their whole body of work (as opposed to a gag "presented visually"), and it shoulda been in 'Scope / Top Secret! (Jim Abrahams, David Zucker & Jerry Zucker, 1984)
Wouldn't the train station moving shot in Top Secret (in which we think the train is moving past the station, but actually the station itself is driving away) also be considered a visual gag, and not just a gag presented visually?
Wouldn't the train station moving shot in Top Secret (in which we think the train is moving past the station, but actually the station itself is driving away) also be considered a visual gag, and not just a gag presented visually?
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